Unfortunately, INDUSTRIA fails to achieve both. After all, it should be quality over quantity. While I don’t agree with the expectation, I do believe that a game should make up for its short playtime with other content. There’s a stigma nowadays that video games are expected to contain enough content to justify their price point. Moments of the game feel like a survival horror experience, especially early on when your only tool is a flashlight.
INDUSTRIA also implements excellent sound design. From the humming engines of the automata to the abandoned brick buildings, the art direction is just impeccable.
Upon booting up INDUSTRIA for the first time, you are treated to beautifully crafted visuals. In-game Screenshot “From the humming engines of the automata to the abandoned brick buildings, the art direction is just impeccable.” Large snippets of it are left ambiguous and confusing and up to the player to interpret. The narrative, for the most part, is a disappointment given the abrupt ending of the game.
Ultimately, INDUSTRIA is a narrative-driven first-person shooter with light puzzles sprinkled throughout. The streets are littered with automata, and there is no human in sight. Upon entering, you teleport to a post-apocalyptic parallel version of your world where ATLAS, which is an AI hivemind, has taken over. Early on, you discover that your colleague has opened a temporal anomaly to a different dimension, and you, haphazardly, follow in his footsteps. You play as a woman named Nora, employed under a project known as ATLAS, searching for her missing colleague. INDUSTRIA, by Bleakmill, is a Half-Life 2 inspired first-person shooter set in an alternate reality, East Berlin, sometime before the end of the Cold War. There’s been quite a lack of them in recent times, so when INDUSTRIA surfaced, I was more than excited to relive the joy of my childhood. I grew up loving the science fiction shooter genre, with games such as Half-Life and Bioshock and movies like Terminator and Total Recall.
0 kommentar(er)
